Seated Female Nude by Fritz Glarner
Charcoal on cream paper
This finely modeled charcoal drawing presents a seated female nude viewed from the back, her form rendered with assured, economical lines and subtle tonal shading. The figure is captured in a moment of natural repose, one hand lifting to adjust her hair, the other resting loosely against her lap. Light falls softly across the musculature of her back and limbs, accentuating the sculptural volume of the body without overworking detail.
Likely created during Glarner’s academic training in Naples or early years in Paris, this drawing reflects the artist’s solid grounding in traditional figure studies before his transition toward abstraction.
The freshness of the gesture and the refinement of the draftsmanship offer a glimpse into the formative years of one of the pioneers of geometric abstraction.
Dimensions: 32 x 50 cm
Condition: Some creases, smudging and toning of sheet as shown.
July 20, 1899, Zurich – September 18, 1972, Locarno
Fritz Glarner was a Swiss-born American artist best known as a pioneer of geometric abstraction and a key figure in the Concrete Art and Neo-Plasticist movements. Born in Zurich, Glarner spent much of his youth in Italy and France, where he received classical artistic training at the Royal Institute of Fine Arts in Naples. His early career included figurative and representational work, as represented in our Village Antiques collection of his early drawings from the artist’s estate.
In 1923, Glarner moved to Paris, where he encountered the European avant-garde and developed close ties with artists such as Piet Mondrian. He became part of the Abstraction-Création group and began evolving toward a language of pure geometric forms and carefully balanced compositions. After relocating to New York in 1936, Glarner became a prominent member of the American Abstract Artists group and developed what he termed “Relational Painting”—a system of dynamic interplay between color, form, and spatial tension, expanding on Mondrian’s grid structure.
Though best known for his abstract compositions, early works reveal the foundations of his visual sensibility: clarity of line, structural focus, and a deep sensitivity to form. Glarner’s paintings are held in major public collections, including the Museum of Modern Art (New York) and the Kunsthaus Zürich. He also produced paintings for vast interior spaces such as the Dag Hammmarskjold Library at the United Nations and the lobby of the Time-Life building in New York.He spent his final years in Switzerland, where he died in Locarno in 1972.
