Femme Moderne – Fritz Glarner circa 1920
Charcoal on brown paper
This striking large-format modernist portrait depicts a woman with stylized features and a self-assured expression, rendered in bold, expressive charcoal lines. Her full face, framed by a sweeping hairstyle, dominates the sheet with quiet authority. The minimal treatment of detail—just enough to suggest the figure’s volume and attitude—lends the piece a sculptural and almost confrontational presence.
Though the work bears the marks of age, including visible creases, edge tears, and discoloration, its artistic power remains undiminished. The dramatic black strokes and confident asymmetry evoke the visual language of early 20th-century modernism, when artists sought to convey psychological and formal intensity through pared-down means. This is a drawing that commands attention despite, or even because of, its rawness.
Due to its condition, the piece is offered at a reduced price, but we believe its expressive energy makes it a standout example of early modernist figuration. A digitally staged interior image demonstrates how elegant framing and matting can elevate and preserve the drawing, minimizing visible flaws and emphasizing its bold visual presence.
Dimensions: 46 x 72 cm
July 20, 1899, Zurich – September 18, 1972, Locarno
Fritz Glarner was a Swiss-born American artist best known as a pioneer of geometric abstraction and a key figure in the Concrete Art and Neo-Plasticist movements. Born in Zurich, Glarner spent much of his youth in Italy and France, where he received classical artistic training at the Royal Institute of Fine Arts in Naples. His early career included figurative and representational work, as represented in our Village Antiques collection of his early drawings from the artist’s estate.
In 1923, Glarner moved to Paris, where he encountered the European avant-garde and developed close ties with artists such as Piet Mondrian. He became part of the Abstraction-Création group and began evolving toward a language of pure geometric forms and carefully balanced compositions. After relocating to New York in 1936, Glarner became a prominent member of the American Abstract Artists group and developed what he termed “Relational Painting”—a system of dynamic interplay between color, form, and spatial tension, expanding on Mondrian’s grid structure.
Though best known for his abstract compositions, early works reveal the foundations of his visual sensibility: clarity of line, structural focus, and a deep sensitivity to form. Glarner’s paintings are held in major public collections, including the Museum of Modern Art (New York) and the Kunsthaus Zürich. He also produced paintings for vast interior spaces such as the Dag Hammmarskjold Library at the United Nations and the lobby of the Time-Life building in New York.He spent his final years in Switzerland, where he died in Locarno in 1972.
