Male Anatomy – Notomie di Titiano – Beautiful Early 20th Century Reproductions
Notomie di Titiano High Quality Old Reproductions of Renaissance Medical Work Three large images depicting male anatomy with the notations
Notomie di Titiano High Quality Old Reproductions of Renaissance Medical Work Three large images depicting male anatomy with the notations
Allegory of Winter. Beautiful old master engraving by Carl Gustav Amling after Peter Candid shows two men in furs huddled by a fire, with skaters in the background and a little cat in the foreground.
Carl Gustav Amling After Peter Candid (Candido) “Nox” – Night Late 17th Century Engraving Dimensions: 31.5 X 20 cm This
Carl Gustav Amling After Peter Candid (Candido) “Ver” – Spring Late 17th Century Engraving Dimensions: 31.5 X 20 cm This
Carl Gustav Amling After Peter Candid (Candido) “Autumnus” – Autumn Original Antique Engraving – 1698 Dimensions: 31.5 X 20 cm
Carl Gustav Amling After Peter Candid (Candido) December, the 12th Month Old Master Engraving Dated 1701 This engraving of “December”
Collection: Amling after Candid Old Master Engravings by Carl Gustav Amling after Peter Candid The Seasons and the Times of
Farmworkers at Harvest Time A handsome farmer sits in the shade of a tree to sharpen his scythe. By his
“La Lettre “ A romantic image of a woman writing a letter in the gardens of a castle. Butterflies seem
“Diana” Art Deco Woodblock Print – signed and titled by the artist in pencil Dimensions: 33 X 43 cm (full
Johann Lorenz Haid (1702 – 1750) Exquisite reclining male nude drawing in red chalk, Sanguine, , dated 1721. Signed upper
Beautiful sculpted French wooden box with the word “Cassette” carved into on the top which means “treasure box” in French.
Elegant Art Nouveau sunflower design metalware container. Probably originally served as the decorative vase for a small small rectangular glass
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Eussorien 100,000 Jahre vor Christus (Eussorien 100,000 Years before Christ) Heinrich Nüsslein insisted that
Visionary Landscapes – Automatic Paintings from the Hand of a Medium Nürnberg, 1879 – 1947 Ruhpolding (Germany) Heinrich Nüsslein insisted
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Untitled – Numbered 436 Heinrich Nüsslein insisted that he was not an artist, but
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Peru – # 344 Heinrich Nüsslein insisted that he was not an artist, but
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Garden of Eden – Arizona Heinrich Nüsslein insisted that he was not an artist,
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Ludwig van Beethoven’s Egmont Ouverture (# 360) Heinrich Nüsslein insisted that he was not
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Entitled by hand “Friedensfuersten” (Princes of Peace) on the reverse and numbered 486. Heinrich
Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany) Quellbebiet des Brahmabutra – # 360 The Source of the Brahmaputra Heinrich Nüsslein insisted