17thCenturyAntique PrintsHistoryPortraits

Portrait of Jacob Lampadius, German Lawyer and Diplomat

Late 17th Century Portrait of the German lawyer and diplomat Jacob Lampadius (1593-1649), original name Jakob Lampe, who was one of the leading Protestants at the Westphalian peace negotiations.

Copperplate Engraving by Waumans after Anselmus van Hulle

From from Pacificatores orbis Christiani published in Rotterdam 1697.

Text on Engraving:

Jacobus Lampadius./Juris comsultus Celsissimorum Principum Friderici et/Christiani Ludovici Ducum Brunovicensium et Lunae/burgensiumad Comitia Osnabrugensia et Monaste- riensia Lega/tus Ducis itemChristlani Ludovici Consiliarius/intimus et Procancellarius./ accessit Privilegium Caesareum./Cum privilegio Regum et Hollandiae Ordinum. Anselmus van Hulle pinxit. Coenr.Waumans sculp. 1649.Bust looking left in oval lettered: “Committe Domino vias tuas, et spera in euin et ipse faciet.”

Condition: Some tape stains at edges. Otherwise clean with light age toning.

Dimensions: 37 X 25.5 cm

Pacificatores orbis christiani, sive icones principum, ducum, et legatorum

Rotterdam 1697

Anselm van Hulle
Ratification of the Treaty of Munster – part of the Peace of Westphalia by Gerard Terborch 1648

The Peace of Westphalia (German: Westfälischer Friede) was a series of peace treaties concluded in 1648 which ended Europe’s bloody Wars of Religion including the Thirty Years War and Eighty Years War.  An estimated 8 million people had died in the series of terrible conflicts.

In 1645, the Prince of Orange dispatched his court painter Anselm van Hulle to create portraits of the delegates from across Europe who were gathering in Osnabrück and Münster, in Westphalia, Germany for the great peace talks.  It was the event of the age,  the first time that a great conflict was to be ended through international negotiations at a great diplomatic congress.  It would come to be considered by many the beginning of an era of diplomacy. The concept of state sovereignty – Westphalian sovereignty – the principle that each state has sovereignty over its territory – arose from the talks.

The portraits created by Anselm at his workshop in Muenster were first sold as single sheet editions, collected by the delegates themselves and by people and governments in regions which sent them.  In subsequent years they were published as bound collections, one of the most famous of which is Pacificatores orbis christiani published in Rotterdam at the end of the 17th Century.

The portraits in Pacificatores orbis christiani are based on portraits of delegates to the peace talks by Anselm van Hulle (1601-1674) and Abraham Jansz van Diepenbeeck (Flemish 1596-1675).  The engravings were made by the some of the great craftsmen of the time.Engraved by: Pieter de Bailliu (Flemish, 1613–1660) Mattheus Borrekens (Flemish, 1615–1670) / Pieter Clouwet (Netherlandish, 1606–1670) / Antony van der Does (Netherlandish, 1609–1680) /  Cornelis Galle, Jr. (Netherlandish, 1615–1678) / Pieter de Jode II (Flemish, 1606–after 1674) /  Theodor Matham (Netherlandish, 1605 to 1606–1676) / Paul (Paulus) Pontius (Netherlandish, 1603–1658) / Coenrad Waumans (Netherlandish, born in 1619) / Pieter van der Slaart (Dutch, 17th century).