Allegorical Figures – Thesaurus Antiquitatum et Historiarum Italiae – Tab XIII
Engraving from Thesaurus Antiquitatum et Historiarum Italiae showing Jupiter and allegorical figures.
Engraving from Thesaurus Antiquitatum et Historiarum Italiae showing Jupiter and allegorical figures.
Roman Funerary Inscriptions and MonumentsEngraving from Thesaurus Antiquitatum et Historiarum Italiae (Leiden, 1704–1725), edited by Johann Georg Graevius and published
Domenico Angelo, The School of Fencing (L’École des Armes) — later hand-coloured issue after the 1765 London edition.
This unique volume, The First of May: A Fairy Masque, is one of the great illustrated books by the Victorian
Beautiful botanical engraving by Maria Sibylla Merian from Insects of Surinam: cotton plant with caterpillar, chrysalis, moth, and butterfly
Merian Plate 41 from Insects of Surinam: hand-colored engraving of sweet potato and heliconia with moths, butterfly, and leaf-footed bug.
Barraband handcolored engraving of the Great Blue Turaco (Schizorhis cristatus), Plate 19 from Buffon, with rich, velvety coloration.
Handcolored Barraband engraving of the Turaco (Turacus persa), Plate 17 from Buffon, with rare workshop color notes and annotations.
La Sortie du Port (from La Vie d’un Navire) — after Hippolyte Garneray, engraved by A. Durand, hand-colored aquatint, Paris,
Russian popular devotional broadside (lubok): Skaz strashnago suda bozhia — “Tale of the Dread Judgment of God (the Last Judgment).”
An 18th-century natural history engraving depicting an owl in the Barn Owl family (Tytonidae) with rounded head and large eyes,
A finely detailed natural history engraving depicting an owl, standing alert on a tree stump, with wings folded and large
Lithographic portrait of Princess Marie of Bavaria (1805–1877), who became Duchess of Saxony (Herzogin von Sachsen) through marriage to Prince
Clément Venceslas Lothaire, Prince de Metternich-Winnebourg — engraved portrait, Artaria & Comp., Vienna, c. 1830s–1840s Three-quarter bust of the Austrian
Dramatic 19th century steel engraving of a perilous river crossing by J. Schuetz, Artistisches Institut v. F. Gutsch & Rupp.
The Merry Wives of Windsor, Act II, Scene I from the Boydell Shakespeare Gallery This scene captures Mistress Ford and
Shakespeare Engraving – Much Ado About Nothing, Act III, Scene I (1792)Large format, hand-colored stipple engraving after a painting by
A beautifully executed late 18th-century stipple engraving entitled Miranda, engraved by Caroline Watson after an original painting by Robert Edge
VISION DE QUATRE CHEVALIERSTranslation: Vision of Four Horsemen This image illustrates Revelation 6:1–8, the dramatic appearance of the Four Horsemen
CHEUTE DES ESTOILLES ET FRAYEUR DES ROISTranslation: The Fall of the Stars and the Terror of the Kings This image